Given below are some of the Blogs published earlier under Remembering Film Institute days:
Wednesday, 1 July, 2009
Lohi - A Sudden End
I had the opportunity to be associated with him as Script writer for RADHA MADHAVAM (1990 - Dir: Suresh Unnithan) AADHARAM (1992 - Dir: George Kithu ), VENKALAM (1993- Dir: Bharathan) and SALLAPAM ( 1996 - Dir: Sunder Daas) and also in his Directorial ventures KARUNYAM (1997)and KANMADHAM (1998).
He was a sensitive and sensible human being who hailing from a lower strata of society rose to the heights of glory in Cinema as a Script writer and Director, through sheer hard work and genius. He found themes for his films from the people around him and made them immortal in the horizons of Malayalam Cinema. His first Directorial venture, BHOOTHAKKANADI won many Awards and was appreciated by one and all. The switching on ceremony of the film coincided with the start of Sundar Daas' second film KUDAMATTOM and both the functions were held together at Shoranur Rest House, a favourite haunt of Lohi, where he used pen many of his outstanding scripts.
Similarly in the film KANMADHAM, Lal (Siddique) was uncertain about his ability as an actor. Though well established as a Director and Scripwriter, he had just done one film as actor in Jayaraj's KALIYATTOM. But as a performer he was finding the role in KANMADHAM a difficult proposition altogether and that too pitted against an actor of calibre such as Mohanlal ! Lal even thought of backing out from the film but for Lohi, who came out with encouraging words and gave him confidence about his acting abilities and brought out excellent performance from him. The Kerala State Award for Best Actor in 2008 won by Lal would not have happened if Lal had stopped acting at that time, and concentrated instead on Writing and Film Direction !
After that film in a private chat, he told me and Producer Kireedom Unni that he will never shoot a film without the full script in hand! But he was never able to keep up his decision. The strain and stress took its toll on his health and ultimately resulted in his untimely death. Malayalam Cinema had lost one of its great script writers, and I, a true friend and a fine humanist par excellence.
Lohitadas, Bharathan and myself during filming of VENKALAM
Myself, Maju Warrier and Lohitadas : Film -Kanmadham
Tuesday, 2 June, 2009
A NIGHTINGALE HAD FLOWN AWAY
My Poems in YOUTH TIMES
Selected by KAMALA DAS
Midday Take-off
In the blazing sun I walk blind
My immobile hands follow behind
Time worn planks in the stairs of destiny
Utter a long drawn out cry.
Under a shade less tree, with the ghosts of tomorrow
I await an encounter with fate.
Absolute silence seeps in to the void
Among the transparent shadows of life
Stretching seconds into years and then to ages.
This maddening stillness, this unending agony
Fills me with the suffocating terror of the unseen.
How I wish,
I could just take-off and just vanish
Yeah!
I feel the ground
Suddenly s-l-i-p
UH____
Boredom weeps alone
In moments of silence
Words refuse to appear
Defying the laws of language.
Back-fired thoughts shock frozen
Stand as
Dumb T.V. towers in the desert.
Disrupted communication
Speaks in sign language
To those blind eyes staring at infinity.
Rider less horses trample lawns
Breaking the stillness
Corks pop out, glasses tinkle,
Displayed flesh in streets of desire
Stink with memories of lost innocence.
Morning dawns smelling of stale kisses,
Hangovers from sleepless nights.
Nauseating mists of imported love
Blind the senses.
Under the cold blanket
My hand searches for the missing partner
In the grip of my longing fingers
Sunset Sand Diggers
(Inspired by Kobo Abe's Women of the Dunes )
Under the undulating dunes
Desires lie buried
My soul sleeps imprisoned
Somewhere in a bottomless pit,
To each his own
He himself being one.
Ours might be billion light-years apart
Or just a sand wall away.
Above in the gray sky
Under the blinding sun
Circles a lone vulture.
I dig my agony to unearth lost ecstasy.
In constant work, do I exist
My universe --- this pit.
Destination unknown,
This journey a one-way trip.
Perhaps our tunnels may meet in the sunset
We may then discover
What we have lost
Or what we have not yet.
Of Godmen, Gods And Men
My denial is no conclusive proof of absence
Nor other's approval the evidence of your existence.
They sing of your manifestations,
Many visitations and revelations
Some claim your partial presence in their form
And perform miracles like magicians,
Only garbs are different
Arenas vary.
If at any one at any time
Could feel your presence, even a trifle
It is just possible that
I too might.
Skeptics like me
Can wait till then
Before we start to believe.
Ram,
ReplyDeleteI always saw similarity in Bharathan and Lohithadas. After Bharathan, it was Lohithadas who could make movies of that quality. I couldnt be lucky enough to meet both atleast once.
Hari
shadesandlights.com
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ReplyDeleteமதுராந்தம் பிறந்த ஊர் என்பதால் தமிழ் எழுத படிக்க தெரியும் என்ற எண்ணத்தில் இந்த கடிதம் உங்களுக்கு தமிழ் இல் எழுதுகிறேன்
இன்று தான் உங்கள் ப்ளாக் தெரிய வந்தது . மிக அருமையான தகவல்கள் கொட்டி கிடக்கின்றன மலையாள திரை உலகம் மற்றும் உங்கள் வெளி வாராத தமிழ் படங்கள் பற்றி தமிழ் இல் பகலில் ஒரு இரவு படத்தின் ஒளிபதிவாளர் நீங்கள் என்று நினைவு
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